Artists

HIROSHI MEXATA

Hiroshi Mehata is a Sound/Visual artist based in Tokyo, Japan. He focuses on extracting the critical factor that has formed a Japanese history/spirit/culture. “The sense of perceiving the invisible atmosphere,” and to unravel the essence of the human mind in modern society through the relationship with sound and visual. Under the concept called “Noum,” he represents " the noise by an infinite chain of the impression" that swirls on the surface of everything, as the symbol pattern/sound with various mediums. (From musical works to traditional drawings, digital drawings, paintings, NFT, installations, and video works.)1982, Born in Mie, where the largest Shinto shrine in Japan is located, Mehata has been familiar with Japan's traditional culture and myth since childhood. His eccentric surname even in Japan, Mehata, has one theory that is a descendant of Qin Shi Huang in China, then it is said that the migrants of the related lineage established the current form of the Japanese shrine. We can no longer verify the truth, but the clan's mystery inspired him deepen the knowledge of Japanese (also World) history.He had played in a local punk rock band and moved to Tokyo at 18, where he continued his exploration of avant-garde/experimental music in the '00s, also the history, shamanism and culture. It was a separate interest, but these different elements gradually merged into his philosophy. He started solo activities around 2007. His overseas activities began with his band's touring in Australia in 2011 when the SNS culture was starting to flourish. Released as Mehata Sentimental Legend with his solo album “Noum Zeccyou” from Mind Plug Records (Germany) in 2011. Since then, he has been doing a musical collaboration with foreign artists or musicians and touring abroad with his band or solo. Around that time, he began to create visual art in earnest by the advice of a contemporary artist who saw the album cover he designed. In 2013, he had a first solo exhibition as a visual artist, “Mehata Hiroshi- Noum Zeccyou” at Gallery TEXU in Spain. Solo Exhibition, “Mehata Hiroshi Meets Abantal Restaurante(Spain, 2014) was framed as a part of 2013-2014 Japan-Spain 400th Anniversary”,“NOUM AMATARA/El Viajero Alado(Spain, 2016)” etc. Other selected, “Concorso arte Milano 2016 (Italy, 2016)”, “la 3ème Session des Journées Méditerranéennes des Arts Visuels à Hammamet(Tunisia, 2016)”, “Kameyama Art Triennale(Japan,2017)”, “Makassar Biennale 2019 (Indonesia, 2019)”, "Chicago Obihiro Exchange Project presented by Asian Improv aRts Midwest (US 2019)", “YICCA Prize 21-22(Italy, 2023 The Color Cleanser / Galeri Lorong (Yogyakarta, Indonesia) 2016 NOUM AMATARA / El Viajero Alado - SALA DE EXPOSICIONES LA ASUNCIÓN,CAMPUS UNIVERSITARIO DE JEREZ DE LA FRONTERA (Jerez, Spain) 2016 Mehata Hiroshi Illustration Exhibition /Dinamo DIY Espai (Barcelona, Spain) 2015 MEHATA / Colorida Art Gallery (Lisbon, Portugal) 2014 El Viajero Alado Galeria presents - Mehata Hiroshi meets abantal restaurante (Sevilla,Spain) 2013 Noum Zeccyou -Sentimental Legend/ El Viajero Alado Galeria (Lebrija, Spain) 2013 Mehata Hiroshi- Noum Zeccyou /Galeria TEXU (Oviedo, Spain) and many others  exhibitions.

 

 

 

 ADAEZE ADINNU 

My name is Adaeze Adinnu, a prolific artist, and the Founder/CEO Fabloz Artistry. Graduated from the university of Northampton where I majored in Business Management, United Kingdom and reside in the UK. I have been passionate about painting since I was a child. My love for colours and ability to bring them to life on canvas were unparalleled. Growing up, I found solace and joy in the world of art, expressing myself through my vibrant and imaginative creations.
At age 5, I received my very first set of paints, and that moment marked the beginning of a lifelong artistic journey.
My works are a mesmerizing blend of realism and figurative arts made with both oil colours, acrylics, mirror, or mixed media and they highlight personal and societal challenges, highly textured and rich in symbolism, vibrant colour palettes, contemporary and energetic, each piece telling a story that captivated anyone who set eyes upon them.
My artworks have been collected by prominent personnels and hospitality industries in the past, I have been commissioned by reputable companies such as Pepsi Cola Nigeria, to do murals in some of their outlets in Abuja Nigeria, my paintings have also been used to decorate the offices of incoming law makers at the National Assembly of the Federal Republic of Nigeria. I have also been invited by one of the eminent galleries in Dallas USA (Redwood Art Gallery) to exhibit alongside other estimable galleries.
As a contemporary artist, I have been honoured with a number of media recognitions from the University of Northampton where I graduated from, Northampton Chronicles and Echo and other renowned organisations, newspaper publications from the Northampton museum and art gallery where I exhibited my works and award from UNESCO in recognition for my contributions to the field of arts.
Recently I had an artist residency with one of the reputable galleries in the USA, Mitochondria gallery and the body of work I created during this period is currently on the group exhibition at the gallery title ‘When the sun stands still’.
Other exhibitions include:
LIST OF ART EXHIBITIONS
2023: When the Sun Stands Still Exhibition- Mitochondria Gallery, Houston Texas
2023: Spectrum London Art Exhibition- Holy Art Gallery, London
2023: Captured Hearts- Artsy represented by TAAG gallery, Los Angeles
2022: Art Expo Dallas Art Exhibition- Redwood Art Group, United states
2022: Black History Month Group Exhibition- Art.Africa, London
2022: Art in the Park Exhibition- Abington Museum, Northampton UK.
2021: Group Exhibition-Northampton Museum and Art gallery
2020: Each for Equal: Together we can, Nsibidi gallery, Abuja
2019: Orange the world: Female Artists Association of Nigeria- Kulture Kode, Art Hub, Abuja.
2019: Audacious: Nsibidi- The Gallery, Abuja.
2019: Uncovered: Female Nigerian Artists, British Village Inn, Abuja.
2019: GUNDUA (Enough is Enough)- Nsibidi – The gallery, Abuja.
2019: Choose to Challenge: Women in Culture- Chinese cultural centre, Abuja.
2018: International Day against drug abuse and illicit trafficking; Kulture Kode Art Hub, Abuja.
2018: UN Women sponsored exhibition, Nixon Luxury Hotel, Abuja.
2017: Abuja Unblocked; Sponsored by the USA Embassy, Cafe de Vie.
PUBLIC COLLECTIONS
1. Boughton Care home, Northampton United Kingdom (Donated 2022).
2. Chinese Cultural Centre, Abuja Nigeria (2021).
3. House of Representatives. National Assembly, Abuja Nigeria. (2019).
CONTRIBUTIONS TO THE UK ECONOMY
As the founder of Fabloz Artistry here in the UK, a platform where I promote my artworks and sell them, I intend to expand it into a gallery not only to sell my artworks but also to promote young talents aspiring to break into the art system.
The United Kingdom has the second largest art market in the world, with lots of museums and galleries. I desire to collaborate with some of them for exhibitions, auctions and deploy my experience in organising workshops and art classes for young talents who may take visual arts as a career.
It is my desire that these values I am bringing contribute positively to the overall development of the country.

 

SUSANNA BOETTNER

Susanna was born in the city of San Pedro, Buenos Aires Province, on February 4, 1953.
1963 - She began his studies of drawing and painting in the workshop of the plastic artist Emilse Macchi, in the city of Zàrate, Buenos Aires Province.
1968 - Graphic Design and Creation of Advertising Packaging - Professor Egle Franchina (TELAM Agency).
1973 - Drawing and painting at the Sociedad Estímulo de Bellas Artes de Ramos Mejìa, with the master Bernardo DiVruno.
1980 - Design and Textile Films.
1992 - Drawing and Painting at the Sociedad Estimulo de Bellas Artes de Ramos Mejìa, professor Laura Gaggero, until 1997.
1994 - Coordinator of painting exhibitions at the Florida 2 building, Rivadavia 611, Federal Capital, until 1999.
1998 - Clinic and Work Analysis with the master Luis Felipe Noe.
1998 - Lost wax sculpture seminar with master Antonio Pujia.
1999 - Clinic and Work Analysis with the master Luis Felipe Noe.
1999 - Sculpture Workshop at the Casa de la Cultura de Ramos Mejìa, professor Silvia Marquis.
2001 - Engraving Workshop at the National Engraving Museum, professor Gustavo Fernàndez.
2003 - Seminar on Argentine Avant-gardes, professor and art critic Jorge Lòpez Anaya.
Exhibitions, Shows, and Awards.

2020 - Exhibition at Galeria Nerja, Buenos Aires City. 2019 - Solo exhibition of paintings and ecoprints at Espacio Namaste Baradero. Collective exhibition at Galeria Weil, Panama City. Exhibition at Galeria Tamarindo, Panama City. 2018 - Solo exhibition at Hotel Edelweiss, Baradero. 2017 - Solo exhibition at Galería Liliana Rodríguez, Buenos Aires. 2016 - Solo exhibition at Modo Art Gallery, San Telmo, Buenos Aires.
2015 - 1st Prize for Excellence at the II International Biennial, Centro Cultural Borges, Buenos Aires. Exhibition at II International Biennial, Centro Cultural Borges, Buenos Aires.
2014 - Solo exhibition at Espacio Cultural Y, Barrio Norte, Buenos Aires. Solo exhibition at Modo Art Gallery, San Telmo, Buenos Aires.
2013 - Solo exhibition at El Pinar, Villa Gessell.
2012 - Inauguration of Casa Taller Susana Boettner, Baradero, with permanent exhibition.
2010 - Solo exhibition "Signals in the Sand" at The Rock Art Space, Punta Ballena, Punta del Este, Uruguay. 2009 - Solo exhibition "Sails in the Wind" at El arte de fluir, Buenos Aires. 1st prize in painting at Gallery Infinity Art. Collective exhibition at Reina Torres de Araùz Anthropological Museum, Panama. Invited to the Florence Biennale, Italy. 2008 - Participation in Expotrastiendas, Buenos Aires. Solo exhibition at Casa Suiza de Baradero, Buenos Aires. 2007 - Inauguration of Casa Taller Baradero, declared of Municipal, Cultural, and Tourist Interest by the Municipality of Baradero. Permanent exhibition at Galeria Dogma, Buenos Aires Design. 2006 - Invited to Gallery Night in Palermo. Solo exhibition at Galerìa Bohnenkamp & Revale, Buenos Aires. 2005 - Solo exhibition at Galeria Bonhenkamp & Revale, Buenos Aires. Collective exhibition at Cremata Fine Art Gallery, Miami, Florida. 2004 - Participation in various collective exhibitions and awarded prizes. Curated the exhibition "Between Drawings, Paintings, and Glasses" at Espacios Art, San IIsidro. 2004 - Participated in the Rioplatense Visual Arts Salon at Palacio San Miguel, Buenos Aires. Acted as a curator in the exhibition "Between Drawings, Paintings, and Glasses" at Espacios Art, San Isidro. Jury member at Ospoce salon, Desde la Plàstica gallery. Interviewed by Todo Control magazine. 2003 - Received 1st prize in painting at Galeria Desde La Plàstica, Buenos Aires. Participated in the V Bienal Nacional de Grabado en relieve Xylon Argentina. Selected for the 3rd Encuentro de Grabadores Vortex Argentina. Exhibited paintings and engravings at Galeria El Conventillo Verde, La Boca, Buenos Aires. 2002 - Exhibited at the Outlet de las Artes in Puerto Madero, Buenos Aires. Participated in the 1st Arte XXI Art Fair, Buenos Aires. Exhibited at the SAAP Salon at the Saavedra Museum. Participated in various other exhibitions and events. 2001 - Exhibited at the Regale Arte Fair, Buenos Aires. Participated in the G:D Salon at the G:D Art Gallery. Received 1st mention in painting at the Spring Salon of the Asociación Artistas Plasticos de Buenos Aires. Exhibited at various other events. 2000 - Exhibited at Arte Solar Grafika 2000, Buenos Aires. Participated in the Salon de las Américas at the Museo de Artes Plasticas Eduardo Sivori. Exhibited at other venues and events.1999 - Held a solo exhibition at the Banco Cooperativo de Caseros Foundation. Participated in various other exhibitions and events.Throughout the years, she has held positions such as president of the Sociedad Estimulo de Ramos Mejia and has participated as a jury member in numerous provincial, national, and international exhibitions. Her works are held in public and private collections both nationally and internationally.

 

 

PATRICK  MENDO'O

 Patrick Mendo'o is a plastic artist from southern Cameroon, born in 1992, who has always been passionate about drawing and photography since childhood. After obtaining a technical certificate in the clothing industry in 2014, he decided to continue his education at the Cheikh Anta Diop Institute of Fine Arts in Nkolbisson (ISBAC) in Yaoundé, where he studied styling and modeling. A year later, he interrupted his studies to join the Institute of Fine Arts at the University of Douala (IBA) - the economic capital of Cameroon, known for its diverse artistic and cultural activities. During his academic journey, he regularly attended workshops led by artists such as Hervé Youmbi, Joël Mpahdooh, Jean-Jacques KANTE, Louis EPEE. After three years of study and research, he obtained a diploma in Art History and Plastic Arts in 2020. Today, in his professional career, he develops his artistic language through charcoal, acrylic, collage, and watercolor on canvas, presenting the female body as an object of reification, which in some cases is perceived as a body of pleasure, a productive body, or a matrix body. Mendo'o showcases his works at fairs, national collective exhibitions, such as the CIBA (International Conference on Fine Arts) in Nkongsamba in 2019, RestArt, and in residencies, such as:

- Art-kéo workshops (founded by Jean-Jacques Kante)

- Wemah project (cultural space of Joël Mpahdooh, located in Bonendalè on the coast of Cameroon)

- Bandjoun Station (cultural space of Barthélémy Toguo in Bandjoun in western Cameroon) between 2016 and 2017, alongside internationally renowned artists he met through the workshops of the Art-kéo association

- Louis Epée workshops, and many others. His work focuses on reification, which refers to the process whereby relations between people take on the character of things. He specifically explores the conceptualization of the image of women as a depersonalized construct through the media and social networks, where women's status oscillates between subject and object.

 

 

RAWIA GHANDOUR ZANTOUT

Rawia Ghandour Zantout's story is a testament to the power of passion and determination. Despite her father's objection to pursuing an artistic degree, Rawia never lost her love for the arts. While studying business and finance at the International University of Monaco, she also attended several art courses and eventually became a self-taught artist. 

Rawia's work is heavily inspired by the Impressionist painters who lived and worked in the south of France, where she also studied. She is particularly drawn to the magical reflections present in nature and captures them beautifully in her art.

Rawia's career began with creating art for children. She founded the "Mishmash Kids Club," which taught children painting and the skills necessary for pursuing a career in the arts. Her art soon gained recognition, and she was commissioned to create a range of paintings for Bank Med, with a focus on ecological themes present in her homeland, Lebanon. Her works were distributed to thousands of bank customers as lithographs.

In 2007, Rawia delved into the political side of art, inspired by the turmoil in her country. She created a painting that crystallized the March 14 Revolution in Martyrs Square, which now hangs in the ex-prime minister's office of Saad Hariri.

Rawia's love for fine arts has led her to create her own world and style, characterized by the use of many paint layers to give her paintings a textured 3D effect. She has been commissioned to paint several portraits of world and Lebanese leaders for official sites, including President Vladimir Putin, Ex-President Michel Aoun, Troels Povlsen, FPM Saad Hariri, and FPM Fouad Seniora, which are displayed in various places.

Rawia has participated in many exhibitions in Lebanon and abroad and has received several awards. Her recent exhibitions include a collective exhibition at les Plumes Gallery, Beirut, and a collective exhibition at Sursok Museum, Beirut. She was also selected as a finalist for the Global Art Award in Dubai in 2018.

Nevertheless, her art continues to inspire and delight audiences around the world.

 

 

 

 

RACHEL BERKOWITZ

Rachel Berkowitz (b. 1993 Columbus, Ohio) grew up in London, England and now lives and works in Los Angeles, CA. Rachel graduated with a BA in Fine Arts from the UCLA School of Art and Architecture in 2016. Her recent painting practice concentrates on connecting humans to nature using biophilic structures that reference conservation, preservation and mental awareness. The work stems from emotional experiences. Rachel has exhibited in solo painting and photography shows, group Fine Art shows, such as the LA Art Show, and at global artist events in Los Angeles, London and Japan, winning first place prizes in numerous international Fine Art competitions.

Rachel’s art practice has developed through artist residencies and community experiences, including the La Napoule Artist Foundation in France (2020) and the Slade School of Art London Summer Intensive in England (2019). 

She was the resident artist at Zensai, an Art and Fashion streetwear store in Beverly Hills, where she customized clothing that features her own artwork.

Rachel is also engaged in community arts programming in Los Angeles. She teaches art to children in schools that cannot afford arts education, and at children’s hospitals and neighborhood events. For competitions sponsored by the City of Los Angeles, she has painted public murals incorporating natural forms and flora. 

 

 

 MARINA CHISTY

Marina Chisty, a Russian-American artist based in NYC. Nurturing her artistic talent from a young age in a Russian children's art school, her roots influence her affinity for abstraction and symbolic use of color. With a background in economics, including an MA in the U.S., Marina infuses her art with a concrete purpose, aspiring to make a humanitarian impact, particularly in supporting women. Her commitment to women's rights is evident in her portraits, which transcend racial, socio-economic, and physical barriers, advocating for equal perspectives and mutual support. Currently pursuing an MFA at the School of the Art Institute of Chicago, she continues to refine her practice, experimenting with new techniques from her NYC studio, having honed her skills at the Art Students League of New York and through private tutelage in both the U.S. and Russia. 

Marina has participated in many international art fairs in the US and Europe such as Art Expo NY, Art Basel: Miami, Art Monaco: Monaco. Her works are held in private collections both domestic and international. 

 

 

 

LIZZIE ANA

In the heart of Maputo, amidst the vibrant tapestry of Mozambican life, there exists a painter whose brushstrokes dance with the spirit of her homeland. Lizzie Ana, a contemporary artist, doesn't merely paint scenes; she captures the very essence of Mozambique—the magic sung by Bob Dylan and whispered by the winds over the land of the Makhuwa and Makonde, and "the friendly people”. Born and bred in this land of enchantment, Lizzie Ana's canvases are a celebration of the rich tapestry of Mozambican life. With each stroke of her brush, she pays homage to the ordinary people engaged in extraordinary moments, immortalising their joys and struggles on the canvas of time. Her art is more than mere representation; it's Arte Daqui, a testament to the soul of Mozambique. In her cityscapes, Lizzie Ana unveils the symphony of diversity that thrives within Maputo's streets. With contemporary visual prowess, she weaves a narrative where the echoes of the past collide with the rhythms of the present. The architectural marvels of Pancho Guedes stand tall, adorned with the Afro-Latin vibe that pulses through the city's veins. Portuguese colonial buildings stand as silent witnesses to the passage of time, while modern structures rise defiantly, heralding a new era of independence and progress. Maputo, a city scarred by wars and economic turmoil, finds redemption in Lizzie Ana's art. Through her brush, the city emerges as a youthful adolescent, brimming with energy and vitality. Each painting is a testament to resilience, where the dichotomy of old and new coexists in a delicate balance. It's a journey through time, where familiar landmarks mingle with the promise of new horizons, inviting the viewer to embark on a voyage of discovery. As you gaze upon Lizzie Ana's creations, you can't help but feel the heartbeat of Maputo pulsating beneath the layers of paint. It's a city reborn, where the past whispers secrets to the future, and every brushstroke is a testament to the enduring spirit of Mozambique. In the hands of this visionary artist, the collision of old and new becomes a symphony of colours—a love letter to a city that refuses to be defined by its scars but instead embraces the beauty of its resilience.

Lizzie Ana's journey into the realm of art was not just a career choice; it was a calling—an unwavering commitment to live the artist's life, to breathe in the colours of existence and exhale them onto canvas. From the tender age when dreams were spun like silk threads in the warm Mozambican breeze, she knew her path lay in the world of creation.

For Lizzie Ana, being an artist is more than a profession; it's a testament to the courage of the human spirit. She admires all those who dare to dance with the muse, for she knows that true art is born from the depths of experience, from the highs of joy to the lows of sorrow. It's a life she has chosen, a life of Arte Daqui, where every brushstroke is a reflection of the soul of Mozambique.Self-taught and unbound by the constraints of formal education, Lizzie Ana's art is a testament to the power of freedom and independence. Her paintings, like mirrors reflecting the myriad hues of life, are imbued with a distinctive style that is uniquely her own. Each stroke of her brush is a declaration of defiance against conformity, a celebration of the boundless potential of the human spirit. In her paintings, Lizzie Ana embraces the chaos of non-structured freedom, allowing her imagination to roam unfettered across the canvas. It's a journey of self-discovery, where every stroke is a step closer to unlocking the mysteries of existence. And through it all, she remains steadfast in her commitment to living the artist's life—a life of passion, purpose, and unbridled creativity. In the realm of visual arts, Lizzie Ana's canvas becomes a portal to worlds both familiar and fantastical. With a palette of vibrant oil colours at her fingertips, she conjures scenes that stir the soul and ignite the imagination. Seascapes unfurl before the viewer like pages from a dream, where the azure expanse of the ocean meets the sky in a dance of eternal romance. Dhow boats glide gracefully across the canvas, their billowing sails a testament to the timeless rhythm of life on the water. But it's not just the beauty of the sea that captivates; it's the reflections that dance upon its surface, delicately painted with a touch that borders on the ethereal. In Lizzie Ana's seascapes, the line between reality and reverie blurs, inviting the viewer to lose themselves in the ebb and flow of the tide. Cityscapes emerge from the chaos of urban life, their streets teeming with stories waiting to be told. With a contemporary realism that borders on the sublime, Lizzie Ana captures the pulse of the city—the clash of old and new, tradition and innovation. Bold lines etch themselves onto the canvas, creating a visual cacophony that demands attention. Yet amid the chaos, there is a sense of harmony—a recognition that even in the most frenetic of landscapes, beauty can be found in the juxtaposition of opposites. In every stroke of her brush, Lizzie Ana defies convention and invites the viewer to see the world through new eyes. Her art is a testament to the power of imagination, a celebration of the beauty that surrounds us, and a reminder that even in the chaos of life, there is always room for wonder and awe.

 

 

OLGA STACHWIUK

 Femme Fatale - a woman, bringing doom to men. This is the definition given in the dictionary. For me, she became the benchmark of my artistic path. She 'hunted' me from the beginning and stayed with me forever.

It started very innocently. Ever since I was a child I dreamt of becoming an artist. Whatever that meant to me at the time. I was fascinated by people - artists. They were different. It was as if they lived in a parallel world that only a few could get into. I started at music school as a child and got into an elite art school. When I turned sixteen, I was determined to pursue my career at the theatre academy. I got in and this is where I first met Femme Fatale. In theatrical language, it was called Female vamp and is a term for the amplua of actresses, a characterisation of the roles for which an actress will be groomed. This was also the case. Engagements in theatres, cinema, as a Femme fatale I had to stop because I simply got married and had to move to another country. Starting from scratch. Unfamiliarity with the language prevented me from returning to the stage, then I returned to music. I composed jingles for the radio at first, but as I progressed in the language, I started writing lyrics about Femme fatale and then singing them. A band was found, a manager. The concerts and performances began. In the meantime, I discovered the camera as a source of my vision, which made me start thinking seriously about getting into a second art degree. That's how I ended up at the Film School to study photography. I knew immediately what I wanted. The femme fatale was back in the picture. Now I was able to capture her on camera, in various forms.

After my studies, I organised the project 'Woman with Class'. It became a kind of photo therapy for many women. It became a cult. Using my experience as an actress, I helped women impersonate Femme fatale. The themes of each session were different - from Bond girl to runaway bride. The sessions get noticed. In the meantime, I get offers to work with celebrities, fashion designers. I open my modelling school. I teach models to walk the catwalk and pose for shoots. The moment I want to publish my photos in any magazine, I face a wall.

"Have you been published before?" - " No, but..." - " Sorry, but it is not possible..." This is how I came up with the idea of creating my own international photography magazine "ASF". I made my own competition platform for talented photographers. Thanks to the magazine, not one name has made it into the big world of visual artists. I am very proud of this.  The material of my femme fatale was accumulating more and more and I started to think about the fact that I wish I could transfer this to canvas. Can't I because I've never painted? Maybe it's worth trying? That's what happened. The first painting was created in 2020. My Femme fatale is born in my studio every day. Witches, muses, mermaids, goddesses, nymphs will stay with me forever.

 

LUCYANNE TERNI 

 I was born in Sao Paulo, Brazil in 1968. I Attended "Escola Panamericana de Arts'' (SP-Brazil) and went to "University Anhembi-Morumbi'', and completed the course of Fashion Designer.

Despite my passion for art, I only started painting in 2016. Since then I've been experimenting for several years with combinations of colors, different layers, and thousands of strokes. My paintings reflect my love of bright colors, different texture techniques, and my love for geometrics, lines and designs.

Art is a long and exciting journey! Everyday I'm learning!

With my paintings, I want to give people a piece of beauty, dreams and happiness!

 

Rikke Darling is a Danish painter whose art entails a ‘confidence in the power of abstraction’. She has exhibited in Japan, Indonesia, Argentina, the United States and many countries in Europe. Her works are a visual narrative of how humans are part of a complex universal pattern, where surroundings merge with emotion and energy. Darling creates using the ‘flow of nature’, representing elemental forces in her acrylic on canvas compositions.

In her art Rikke Darling seeks for the unknown mysteries in life, considering all life forms as basically the same and coming from the same ground material. By her fluid expression she is looking for the principle of balance in nature and life generally.

« The macrocosm is reflected by the microcosm, structures outside relate to structures inside. Life forms consist of structures that life itself is structuring. Life is a process, so is art. It’s all about life. » - Rikke Darling

 

 

KHALID  ACHTAR 

For a quarter of a century, I navigated the corridors of power with steadfast determination, ascending from a fledgling officer to a commanding presence within a government department. Yet, the trajectory of my ambitions took unforeseen paths, leading me through the disciplined structures of semi-government entities, the pulse-quickening realms of intelligence operations, and the expansive global stage of an international corporation, where I helmed the position of Group CEO for a remarkable 13 years. However, amid this journey, a different source of power emerged within me - the power of creation. No longer confined to issuing directives, my brush now gracefully traverses canvases, giving life to the profound depths of my being. Fuelled by an unwavering passion for art, I find myself unveiling vulnerabilities and emotions with fearless strokes. This is not a mere act of painting; it is a visceral conversation, an audacious invitation for others to feel and resonate with my innermost self. My existence, akin to a rich tapestry, interweaves leadership, diverse experiences, and an unrelenting drive to create. The culmination of this journey manifests in art that serves as a mirror to my soul. Each stroke conveys a narrative of vulnerability, strength, and an earnest yearning to forge connections on a deeply emotional plane. This is my essence now – an artist baring my truths to the world, aspiring to kindle shared emotions and instigate profound conversations.

 

 

 AMINATH ROOBA ALI

Aminath Rooba Ali is an artist from the Maldives, a beautiful but tiny country known for its stunning beaches. While it looks like a paradise, the Maldives has issues like limited freedom of expression and an imbalance of power between men and women. Despite these challenges, Rooba uses her art to speak out and inspire change.Her art is inspired by the vastness of the cosmos and explores themes of endless possibilities. Rooba works with different styles and materials, including human figures, abstract art, and surrealism. Her work expresses deep emotions and a call for freedom.From a young age, Rooba was recognized for her talent when she topped her class in Arts & Design at school. This recognition marked the beginning of her artistic journey, which has included continuous learning and exploring new ways to express herself. Rooba has participated in many important art shows, such as Mojigoa’s Annual Art Exhibition in 2023 and “Through the Eyes of Van Gogh” in June 2022. She has won several awards, including first place in the 50th Anniversary of China-Maldives Diplomatic Relations Art & Photography Contest in 2022.Her art has been featured in both local exhibitions and international publications, making her a well-known figure in the art world.Through her work, Aminath Rooba Ali continues to inspire people, pushing the limits of what art can express and standing up for freedom and equality.

 

 

DUNC EBEDES

Dunc Ebedes is an emerging artist whose vibrant acrylic paintings capture the essence of impressionistic abstract expressionism. Hailing from the picturesque coastal city of Port Elizabeth in the Eastern Cape, South Africa, Ebedes infuses his art with the dynamic energy of his surroundings. Exploring the interplay between chaos and serenity, Ebedes delves into the complexities of life's struggles and triumphs. Drawing inspiration from his personal journey, he seeks to evoke emotions of resilience and hope, inviting viewers to find catharsis within his canvases.

Although relatively new to the world of visual art, Ebedes has been an artist at heart his entire life, transitioning from a background in music to painting just over a year ago. Despite lacking formal accolades, Ebedes quickly gained recognition, with his works being sought after by private collectors from the outset.

With plans to relocate to California within the next 2-3 years, Ebedes looks forward to immersing himself in new landscapes and cultural influences, further enriching his artistic vision.

Ebedes' art serves as a testament to the transformative power of creativity, inspiring others to embrace life's challenges and find beauty amidst adversity. Through his unique fusion of acrylics and unconventional tools such as kitchen and baking utensils, Ebedes invites viewers on a journey of introspection and discovery, where every brushstroke tells a story of resilience and redemption.

Dunc Ebedes, an emerging artist from Port Elizabeth, South Africa, has recently signed with The Art Spread as a Featured Artist. Based in Orange County, California, The Art Spread promotes artists who have faced adversity and now inspire others through their work. Ebedes will showcase a new collection of his vibrant acrylic paintings, which blend impressionistic abstract expressionism with unconventional techniques using everyday objects.

Transitioning from a career in music to visual art in 2023, Ebedes found a new sense of liberation and creativity. His work, sought after by private collectors, captures the complexities of life's struggles and triumphs. Through this collaboration with The Art Spread, Ebedes aims to reach a global audience and inspire others with his story of resilience and artistic exploration.

 

 

PATTY  RODGERS 

Patty Rodgers, a Texas based painter, creates large colorful oil paintings. Her work centers on minimalist images of light on objects, interiors, and landscape spaces with a geometric organization.

Patty is a graduate of the Rhode Island School of Design, having earned a BFA in painting,

Simmons University, (B.A. in art), and Central CT State University, (art teaching certificate in grades K through 12). Patty taught art in public schools for about ten years in CT and IL, then began teaching private art lessons at an artist’s co-op in Illinois, and guitar lessons through her home based business, now known as Denton County Guitar Studio.

Patty is a member of VAST, Visual arts society of Texas, and VAL, Visual art league of Lewisville, where she exhibits her work in group shows. Her most recent exhibits in 2024 to 2021 were at VAST and VAL, the Gallery 8680 in Frisco, The Other Art Fair in Dallas, Art Spectrum Miami, and several on-line collections at Saatchiart.com. Patty has been exhibiting in galleries, group shows, various art centers and fairs in Connecticut, Massachusetts, New York, and Illinois since 1981. Her first painting award was given by the well-known artist, Will Barnett. Patty’s art is in private collections all across the United states and in seven different countries. Public collections include Wausau Hospital in WI, and Southern CT State University.